I can’t go to Cloud Eye Control’s performance of Half Life at the Columbus Theater tomorrow (Saturday) night at 8pm, but I wish I could. It’s “a mix of projected animation, theater and music that examines the psychic fallout of global disaster.” Tickets on a sliding scale, $10-$30. Before the show, Ju-Pong Lin will be there with her conversation project Wicked Questions.
Friday, 11/20 (that’s tonight), 5-7pm: While fracking has lowered current gas prices and made us less dependent on foreign oil, it has some negative consequences. Ground water can be contaminated, and a dramatic incidence of small earthquakes has resulted from the injection of waste fluids produced by fracking. For example, Oklahoma now has more earthquakes than California. The potential for more, even larger man-induced earthquakes looms as the Department of Energy begins “carbon sequestration” – pumping carbon dioxide down disposal wells to attempt to reduce future climate change. Join Brown University Professor of Earth, Environmental, and Planetary Sciences Terry E. Tullis, Chair of the National Earthquake Prediction Evaluation Council, to discuss the potential effect of our present practices on our future.
Friday, 11/27, 5-7pm (this is the one I’m in): As demonstrated in the Cloud Eye Control performance on 11/21, artists have always engaged with, responded to, and reflected their environment in their artwork, whether inspired by pristine wilderness or the densely built city. Join us for a conversation with RI artists, including photographer/sculptor Scott Lapham and writer Kate Schapira, whose work addresses a variety of environmental issues and instigations, and learn how they use their work to calibrate, celebrate, test, and protest the evolving consequences of human interaction on the physical environment.
When the program coordinator wrote to invite me, she started the email, “Hope you are well in this beautiful weather and terrible world.”